December 19, 2005
Berry goes gnostic in this well-tooled Da Vinci Code
-knockoff, his fourth novel (The Romanov Prophecy
). Ex-U.S. Justice Department agent Cotton Malone is intrigued when he sees a purse snatcher fling himself from a Copenhagen tower to avoid capture, slitting his own throat on the way down for good measure. Further snooping introduces him to the medieval religious order of the Knights Templar and the fervid subculture searching for the Great Devise, an ancient Templar archive that supposedly disproves the Resurrection and demolishes traditional Christian dogma. The trail leads to a French village replete with arcane clues to the archive's whereabouts, and to an oddball cast of scholar-sleuths, including Cassiopeia Vitt, a rich Muslim woman whose special-ops chops rival Malone's. Malone and company puzzle over the usual Code
-inspired anagrams, dead language inscriptions and art symbolism, debate inconsistencies in the Gospels and regale each other with Templar lore, periodically interrupting their colloquia for running gun battles with latter-day Templar Master Raymond de Roquefort and his pistol-packing monks. The novel's overcomplicated conspiracies and esoteric brainteasers can get tedious, and the various religious motivations make little sense. (Thankfully, the author soft-pedals the genre's anti-Catholicism.) But lively characters and action set pieces make this a more readable, if no more plausible, version of the typical gnostic occult thriller.
Starred review from February 1, 2006
Berry's third thriller (after "The Amber Room"and "The Third Secret" is not to be missed. The first in a planned series of four books featuring Cotton Malone, a former U.S. Justice Department agent turned Copenhagen bookseller, this work takes on the legend of the Knights Templar, a rich and powerful order of knights supposedly stamped out in the early 14th century -but not before hiding a legendary cache of wealth. Cotton joins forces with former boss Stephanie Nelle to investigate the recent surprise appearance of a journal belonging to her deceased husband, a leading researcher of the treasure of the Knights Templar. Cotton and Stephanie quickly discover that the Knights Templar is far from extinct and will do just about anything to prevent them from discovering its secrets. Anagrams and complicated symbology abound, and comparisons to "The"EMPHASIS TYPE="ITALIC">Da Vinci Code are inevitable, but Berry distinguishes himself with a complex, well-written, and extremely readable story. Highly recommended for all public libraries." -Andrea Y. Griffith, Loma Linda Univ. Libs., CA"
Copyright 2006 Library Journal, LLC Used with permission.
December 15, 2005
The Knights Templar, a small monastic military order formed in the early 1100s to protect travelers to the Holy Land, eventually grew and became wealthy beyond imagination. In 1307, the French king, feeling jealous and greedy, killed off the Templars, and by 1311, the last master, Jacques de Molay, was burned at the stake. The whereabouts of the Templars' treasure--and their secrets--have been the subject of legend ever since. Now, a new thriller trieas to follow in the steps of " The Da Vinci Code" .
There's a secret about early Christianity at the core of Berry's " Templar Legacy" , but he dispenses the clues too slowly. The cat-and-mouse game between Cotton Malone, a former Justice Department agent, and a modern-day order of Knights Templar is weighed down with too much confusing backstory about the Templars' connection to Rennes-le-Chateau and the mystery that surrounds it. (The real-life town plays a part in " The Da Vinci Code " as well.) Like Dan Brown, Berry draws on the seminal nonfiction work " Holy Blood, Holy Grail " for many of his themes. After nearly grinding to a halt through all the premise building, the novel finally gathers steam in the last 100 pages or so, concluding with a revelation that seems refreshingly clear after the many convoluted twists that precede it. Until the next Dan Brown opus is released, this should hold devotees. (Reprinted with permission of Booklist, copyright 2005, American Library Association.)
Starred review from April 3, 2006
There are times when Corrigan attempts the French accent of this book's arch-villain, Raymond de Roquefort, that he sounds like nothing so much as Peter Sellers's Inspector Clouseau with a bad head cold. Corrigan gamely tackles what so many other readers tiptoe around, imitating each of the voices in Berry's international array of shadowy operators. While the results are occasionally, unintentionally comic, Corrigan is to be commended: his multivoiced, one-man-band reading makes for a wildly enjoyable listen. Berry's novel follows in the tradition of The Da Vinci Code
, mingling medieval Christian secrecy and contemporary intelligence-agency intrigue. Corrigan contains multitudes, and his able array of voices show a man who greatly enjoys the opportunity to have the stage of Berry's book all to himself. Having fun with his reading, Corrigan masterfully conveys the entertainment value of Berry's convoluted story. Simultaneous release with the Ballantine hardcover (Reviews, Dec. 19, 2005).