April 20, 2020
A diverse assortment of Swedes gets caught in an unlikely hostage situation in Backman’s witty, lighthearted romp (after Us Against You). On the day before New Year’s Eve, in a “not particularly large or noteworthy town,” a desperate parent attempts to rob a bank in order to provide for two young children. After the police arrive, the amateur stickup artist flees and stumbles into an apartment’s open house. The attendees, including a heavily pregnant, first-time home-buying lesbian couple; an apartment-flipping older couple; and Zara, an executive at another bank, become hostages. Meanwhile, father and son police officers Jim and Jack scramble into action. The appearance of a man wearing nothing but underwear and a bunny mask, hired by the flippers to sabotage the open house, adds to the drama. Backman layers the hostage scene with threads of backstory on Zara’s regret for denying a loan to a man ten years earlier, along with developments in Jack and Jim’s investigation. While the prose is chockablock with odd metaphors (“Our hearts are bars of soap that we keep losing hold of”) and a plot twist leans on societal assumptions, Backman charms with his empathetic description of the robber, who gradually earns sympathy from the hostages. This amusing send-up of contemporary Swedish society is worth a look. Agent: Tor Jonasson, Salomonsson Agency.
July 1, 2020
Eight people become unlikely friends during a hostage situation created by an inept bank robber. In a town in Sweden, a desperate parent turns to bank robbery to help pay the rent. Unfortunately, the target turns out to be a cashless bank, which means that no robbery can take place. In an attempt to flee the police, the would-be perpetrator runs into a nearby apartment building and interrupts an open house, causing the would-be buyers to assume they're being held hostage. After the situation has ended with an absent bank robber and blood on the carpet, a father-and-son police pair work through maddening interviews with the witnesses: the ridiculous realtor; an older couple who renovates and sells apartments in an effort to stay busy; a bickering young couple expecting their first child; a well-off woman interested only in the view from the balcony of a significant bridge in her life; an elderly woman missing her husband as New Year's Eve approaches; and, absurdly, an actor dressed as a rabbit hired to disrupt the showing and drive down the apartment price. Backman's latest novel focuses on how a shared event can change the course of multiple people's lives even in times of deep and ongoing anxiousness. The observer/narrator is winding and given to tangents and, in early moments, might distract a bit too much from the strongly drawn characters. But the story gains energy and sureness as it develops, resulting in moments of insight and connection between its numerous amiable characters. A story with both comedy and heartbreak sure to please Backman fans.
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July 1, 2020
When the world's most hapless bank robber inadvertently takes a group of the world's most helpful people hostage, hilarity doesn't exactly ensue as much as it evolves. With a failed marriage, no job, potential loss of child custody, and a looming eviction, the idea of robbing a bank presents itself as an appealing solution to this harrowing list of woes. When the bank turns out to be one of those new-fangled cashless entities, the foiled robber flees and dashes into a nearby apartment building where an eclectic group of potential buyers is suffering through a sale's pitch. Unwitting participants in the developing drama, the group nonetheless warms to their wannabe-bank-robber captor and each other over the course of the day's events. In this small suburb of Stockholm, only the local police are on the scene, a father-and-son team who try hard not to step on each other's toes while deescalating the hostage situation and interviewing witnesses. With poignant and sympathetic care, the always incisive and charming Backman (Us Against You, 2017), gently examines garden-variety insecurities against a quaint pre-pandemic backdrop.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)
Starred review from July 1, 2020
In this latest from the author whose string of international hits began with A Man Called Ove, bossy bank director Zara, troubled husband-and-wife Roger and Anna-Lena, expecting lesbian parents Julia and Ro, charming 80-year-old Estelle, and a near-naked man wearing a bunny head all have their reasons for showing up at an open house on New Year's Eve, even as an inept bank robber rushes in and inadvertently becomes a hostage taker. This situation attracts the attention of a bumbling father-and-son police team who emerge in the end as gentle heroes but are initially stymied upon leading the hostages to safety: The bank robber is not among them. Cutting back and forth in time, the tight-knit, surprise-filled narrative slowly unravels this mystery while revealing the poignant backstories of both hostages and hostage taker, even as rattled nerves lead to some very funny exchanges. Meanwhile, the story of a suicide wrought by economic extremis quietly frames the action, unexpectedly tying together characters, and the brisk, absorbing action prompts meditation on marriage, parenting, responsibility, and global economic pressures. VERDICT Comedy, drama, mystery, and social study, this novel is undefinable except for the sheer reading pleasure it delivers. Highly recommended. [See Prepub Alert, 2/24/20.]--Barbara Hoffert, Library Journal
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