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You're on an Airplane

A Self-Mythologizing Memoir

ebook
1 of 1 copy available
1 of 1 copy available
A National Bestseller
Have you ever wondered what it would be like talk to Parker Posey, star of The White Lotus, Party Girl, and so many other favorite films? Perhaps on an airplane, with Parker as your seat companion, perhaps? Parker’s irreverent, hilarious, and enchanting memoir gives you the opportunity. Full of personal stories, whimsical how-tos, recipes, and beautiful handmade collages created by the author herself, You’re On an Airplane is a delight in every way.

In her first book, actress and star of movies such as Dazed and Confused, You’ve Got Mail, The House of Yes, and so many more, Posey opens up about the art of acting, life on the set, and the realities of its accompanying fame. A funny and colorful southern childhood prepared Posey for a life of creating and entertaining, which not only extends to acting but to the craft of pottery, sewing, collage, yoga, and cooking, all of which readers will find in this whimsical, hilarious, always entertaining book. Parker takes us into her childhood home, behind the scenes of the indie film revolution in the 90s, the delightful absurdity of the big-budget genre thrillers she’s turned into art in a whole new way, and the creativity that will always be part of both her acting and her personal life.
With Posey’s memorable, hilarious, and poignant voice, her book gives the reader a feeling of traveling through not only a memoir, but an exploration, meditation, and celebration of what it means to be an artist. Buckle up and enjoy the journey.
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    • Publisher's Weekly

      June 18, 2018
      Actress Posey fashions her clever and playful memoir as a conversation with the reader, who is seated next to her on a plane. Posey was born prematurely, minutes after her twin brother, and raised in the South by her father, a car salesman and Vietnam vet, and her young, fun-loving mother, who placed false eyelashes on infant Posey when she returned home from the hospital. Posey was a natural actor; she performed in a summer camp show at age seven, and by nine knew she wanted to be a movie star. The budding star also frolicked in ditches, decorated her hair with locusts, and took pretend communion with Ritz crackers. She guides readers through her various career steps, from a part on the TV soap opera As the World Turns to indie films such as Party Girl and The Daytrippers and the more recent Café Society and Irrational Man. Posey’s narrative is lighthearted and amusing, and it reveals her strong and independent spirit and serious devotion to acting. Indie film fans will especially enjoy this energetic romp through Posey’s vibrant film career.

    • Kirkus

      July 15, 2018
      The "Queen of Indie Film" writes hilariously and thoughtfully about her life and the lives of Gracie, her dog, and other intriguing misfits she's known.Using the conceit that she's relating stories about her life while sitting next to you on a flight--a possibility she laments is increasingly untenable since no one in America talks to strangers anymore--Posey is an amiable, zigzag raconteur. Probably best known for her inspired roles in Christopher Guest mockumentaries like Waiting for Guffman and Best in Show, she now stars on Netflix's Lost in Space reboot. The author was a determined daydreamer and performer from an early age; her father had to fasten jingle bells to her notepad in elementary school so she would remember to write down her homework assignments. Her tendency to choose meaningful projects such as Dazed and Confused or Personal Velocity rather than schlocky studio flicks hasn't helped her finances, but her choices have endeared her to a generation of film buffs who were young enough in the 1990s and early 2000s to understand that independent American cinema at that time was a movement. (In one priceless scene, the author recounts her nauseous reaction to a misogynistic script a casting director gave her: "I...walked outside, where I immediately threw up in one of the enormous potted plants. And then three times more. It was the perfect height, and I paused and felt blessed.") "I'm not great at being a movie star," she writes. "It's either too boring or too much work." This book is one of the most atypical celebrity memoirs in recent memory. The narrative flow is occasionally whiplash-inducing as Posey marches through her life, but she is an irrepressible and appealingly eccentric guide throughout.Resilient and fiercely observant, Posey is an unflinchingly honest and entertaining interpreter of her many stories.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      July 1, 2018
      For many women who came of age in the 1990s, actress Posey will forever be the ultimate It Girl. From Hal Hartley's Henry Fool trilogy to House of Yes, the indie screen queen beguiled us with arch flippancy, killer cheekbones, and a perfect smirk?it's impossible to guess how many librarians chose their careers because of Party Girl. Now that Posey has found herself in Perimenopausal Time, she has deigned to bless us with her infinite wisdom and enough personal anecdotes to satiate even her most rabid fans. Glory be: she has a narrative voice! And it's just as funny and insouciant as you might hope! She uses it to tell us practical advice (turbans are flattering on older people, who should wear them whenever possible), anecdotes about the acting biz (who knew actors cry and hug all the time?), and the story of her childhood (Posey's grandma was just as cool as you might have imagined). She also delivers a sobering message: Hollywood can be cruel to even its best, especially when they are women.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)

    • Library Journal

      May 15, 2017

      Famously called Queen of the Indies, Posey here lets loose about acting, fame, and her relationships with key directors. This being a celebrity memoir, there's also told-with-humor advice, in this case taken from Posey's legendary Greenwich Village therapist Mildred Newman.

      Copyright 2017 Library Journal, LLC Used with permission.

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