Starred review from August 10, 2015
Following Smith’s bestselling and critically acclaimed book Just Kids, this essay collection creates a map of the singer-songwriter’s peripatetic journeys to cafes, cemeteries, hotels, and train stations around the world. She is the perfect guide, revealing the mysteries in the shadows, the little bits of life people often take for granted—such as a good cup of coffee, a familiar coat, or the “transformation of the heart.” In 19 imagistic reflections, Smith invites readers to travel with her from Frida Kahlo’s Casa Azul and Sylvia Plath’s grave to the Far Rockaway bungalow that Smith buys just before Hurricane Sandy comes ashore and destroys much of the surrounding territory. Smith’s haunting and joyful recollections of her life with her late husband, Fred Sonic Smith, anchor her intensely physical descent into memory and its ability to haunt her waking and dreaming life. Smith illustrates her meditations with her signature Polaroid photos of Fred, as well as objects such as her father’s desk chair and the chess table where Bobby Fischer played Boris Spassky. The narrative carries readers through the despair, loss, hope, consolation, and mysteries that Smith faces as she lives through Fred’s death, struggles with the writer’s craft, and comes to realize, through one of her dreams, that the “writer is a conductor”—and she is indeed a phenomenal conductor along these elegant tours of the haunting places in her life, where anyone might stumble upon momentary but life-altering wisdom.
May 1, 2015
Legendary musician/artist Smith returns with another memoir that passes through 18 "stations" that have defined her life, from Frida Kahlo's Casa Azul in Mexico to the graves of Genet, Plath, Rimbaud, and Mishima to the seaside home she bought in New York's Rockaways just before Hurricane Sandy rushed ashore. As she journeys from station to station, she reflects on the creative process and her life with her husband, guitarist Fred Sonic Smith, whose death is for her an enduring loss.
Copyright 2015 Library Journal, LLC Used with permission.
April 4, 2016
This essay collection creates a map of National Book Award–winner Smith’s peripatetic journeys to cafes, cemeteries, hotels, and train stations around the world. In 19 imagistic reflections, Smith invites readers to travel with her from Frida Kahlo’s Casa Azul and Sylvia Plath’s grave to the Far Rockaway bungalow that Smith buys just before Hurricane Sandy comes ashore and destroys much of the surrounding territory. She ambles across space, time, and even reality as she weaves meaningful moments, emotional experiences such as the loss of her husband, and even the smaller moments her in life. In the audio edition, Smith’s vocal delivery proves as compelling as her writing. Her prose takes on the rhythm of poetry with shifts in cadence and long pauses. Underlining her delivery is a tension that feels akin to a sneer or sidelong look; it’s as if she is confronting or daring the listener to take this journey with her more so than inviting. This method is seductive, and listeners will have a hard time stepping away from her idiosyncratic narration. A Knopf hardcover.
September 1, 2015
This unusual memoir is a blend of adventures, the everyday, travels, dreams, and reflections on writing, creativity, and life. Smith (National Book Award winner for Just Kids; Rock and Roll Hall of Fame inductee) is an original. She shares detail-rich scenes of her tiny Rockaway Beach bungalow before and after Hurricane Sandy; an encounter with chess master Bobby Fischer in Iceland; presenting a talk for an explorers' organization in Berlin; visiting the graves of Yukio Mishima and Jean Genet; an imaginary conversation with the bust of Nikola Tesla; her favorite corner spot in Cafe 'Ino in Greenwich Village; and, especially, her event-filled and joyous time with husband Fred "Sonic" Smith before his passing in 1994. Those seeking a conventional autobiography of this writer/performer/artist will not find it here--and a traditional presentation isn't Smith's intent. Her creatively structured approach conveys the essence of Smith, whose writing style is musical in texture, often cinematic in description, and always eloquent. She weaves insightful ponderings on literature, cafes, music, TV, art, childhood, place, and more into the selected episodes of her life. Her trademark Polaroid photos, interspersed throughout, add a strikingly appealing touch. VERDICT In many ways, this book defies categorizing, and that is one of its many charms. It is absorbing and lingers long after its end. Fans of Smith will enjoy this as will writers, artists, and all those inspired by a creative mind. For circulating collections. [See Prepub Alert, 4/6/15.]--Carol J. Binkowski, Bloomfield, NJ
Copyright 2015 Library Journal, LLC Used with permission.