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Manuscript Found in Accra

ebook
1 of 1 copy available
1 of 1 copy available

The latest novel from the #1 internationally best-selling author of The Alchemist.
There is nothing wrong with anxiety.
Although we cannot control God’s time, it is part of the human condition to want to receive the thing we are waiting for as quickly as possible.
Or to drive away whatever is causing our fear. . . .
Anxiety was born in the very same moment as mankind. And since we will never be able to master it, we will have to learn to live with it—just as we have learned to live with storms.
 
*  *  *
 
July 14, 1099. Jerusalem awaits the invasion of the crusaders who have surrounded the city’s gates. There, inside the ancient city’s walls, men and women of every age and every faith have gathered to hear the wise words of a mysterious man known only as the Copt. He has summoned the townspeople to address their fears with truth: 
“Tomorrow, harmony will become discord. Joy will be replaced by grief. Peace will give way to war. . . . None of us can know what tomorrow will hold, because each day has its good and its bad moments. So, when you ask your questions, forget about the troops outside and the fear inside. Our task is not to leave a record of what happened on this date for those who will inherit the Earth; history will take care of that. Therefore, we will speak about our daily lives, about the difficulties we have had to face.” 
The people begin with questions about defeat, struggle, and the nature of their enemies; they contemplate the will to change and the virtues of loyalty and solitude; and they ultimately turn to questions of beauty, love, wisdom, sex, elegance, and what the future holds. “What is success?” poses the Copt. “It is being able to go to bed each night with your soul at peace.” 
 
*  *  *
 
Now, these many centuries later, the wise man’s answers are a record of the human values that have endured throughout time. And, in Paulo Coelho’s hands, The Manuscript Found in Accra reveals that who we are, what we fear, and what we hope for the future come from the knowledge and belief that can be found within us, and not from the adversity that surrounds us.  
 
This eBook edition includes a Reading Group Guide. 

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    • Publisher's Weekly

      March 18, 2013
      A self-help sheen hangs over this book by the internationally bestselling author of The Alchemist, which reads much more like a collection of bland aphorisms than a work of fiction. It is Jerusalem, the year 1099, and as French soldiers prepare to invade, a group gathers around a trite sage known as “the Copt.” The topics broached are wide-ranging and somewhat random: a young woman asks about solitude and the Copt gives her a circuitous answer: “If you are never alone, you cannot know yourself. And if you do not know yourself, you will begin to fear the void. But the void does not exist.” A boy, worrying he may be useless, is told: “Don’t try to be useful. Try to be yourself; that is enough, and that makes all the difference.” Another woman decides that the time is right to ask about elegance and is told that elegance is more about how one wears clothes than the clothes themselves. If Coelho is attempting parody, he has failed, this being both too long and too broad. The wisdom to be found here could be found in many other, better places. Agent: Sant Jordi Asociados (Spain).

    • Kirkus

      March 15, 2013
      Another treacly and pseudo-profound set of pronouncements, these from "the Copt," a Greek living in Jerusalem at the end of the 11th century. The conceit of the book is that, in 1974, Sir Walter Wilkinson discovered a papyrus manuscript written in Arabic, Hebrew and Latin. (Coelho is, if nothing else, eclectic in his cultural attributions.) This manuscript, purportedly revealing the wisdom of the Copt on the eve of the capture of Jerusalem by French crusaders in 1099, is in the form of call and response from various townspeople--Muslims, Christians and Jews. A sample setup: "And someone said: 'When everything looks black, we need to raise our spirits. So, talk to us about beauty.' " This is all the opening the Copt needs to pontificate in a style reminiscent of warmed-over Kahlil Gibran: "All the beings created under the sun, from birds to mountains, from flowers to rivers, reflect the miracle of creation." Or, "to those who believe that adventures are dangerous, I say, try routine; that kills you far more quickly." Or, "[e]verything is permitted, if everything is accepted." Coelho's style is terse and epigrammatic, but despite the framing device, there's really no narrative here, only a series of assertions that reflect the Copt's surprisingly New-Age sensibilities. On the other hand, perhaps this isn't so surprising since at the beginning of the manuscript, the Copt announces that he "do[es] not believe very much will change in the next thousand years." This "novel" will appeal to those who like their philosophy predigested yet served on platters.

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    • Booklist

      April 15, 2013
      Coelho's quietly beautiful book is difficult to categorize. Unlike many of his novels, it is not an allegory, nor does it revolve around a mystical or physical pilgrimage. Instead, it consists of a series of queries posed by a population under siege and the powerfully simple, yet evocative, answers provided by an essentially unidentified wise man. As Jerusalem is surrounded by belligerent Crusaders in AD 1099, its diverse citizensJews, Muslims, and Christians, who have lived together in peace for centuriesgather in the square to seek the counsel of the Greek, known familiarly as the Copt. The Copt advises them to speak of their daily lives and search their hearts, minds, and souls for questions pertaining to universal truths. As the Copt thoughtfully answers questions posed about a variety of everyday subjects, including solitude, love, utility, luck, miracles, beauty, sex, anxiety, grace, and elegance, he bequeaths to his audience an invisible sword with which to fight intolerance and ignorance. HIGH-DEMAND BACKSTORY: The sublime Coelho continues to break stylistic boundaries with this series of spiritual musings grounded more in history and morality than in his trademark brand of mysticism.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

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